Offered for sale is a sealed stereo copy of the classic 1960 instrumental LP Walk, Don’t Run by the Ventures.
About this copy: This copy of Walk, Don’t Run is a sealed stereo copy; most copies of the album sold during the 1960s were mono, making the stereo pressings somewhat harder to find. While the shrinkwrap has been removed from the cover, the record is still sealed in the original polyethylene inner sleeve and is presumably new and unplayed.
The record is a later issue (no earlier than 1962) of an LP originally issued in 1960, as the label is a dark blue, rather than the light blue used on the original pressings.
The cover is VG+, with a couple of dented corners and a bit of wear and foxing on the back cover. There are no splits, and the iconic front cover looks terrific.
A beautiful copy of an iconic 1960s instrumental LP.
Background: Walk, Don’t Run was the Ventures’ debut LP, issued in 1960 on the small Dolton label. The album’s success led Liberty Records to buy out the label, and the Ventures cranked out dozens of albums for them over the next dozen years.
The title track reached #2 on the Billboard charts and remains a staple of surf/rock instrumentals today and the album cover is, in our opinion, one of the best covers of the 1960s.
You can listen to Walk, Don’t Run here:
AllMusic.com had this to say about Walk, Don’t Run:
This debut album by the Ventures is surprisingly good, considering that it was recorded in a huge rush during an era when all concerned couldn’t help but know that rock & roll albums (apart from those by Elvis Presley) generally didn’t sell very well; indeed, the fact that this is so good speaks volumes about the class and talent of the group at this early point in their history. With a sudden and totally unexpected number two national hit in “Walk, Don’t Run” and a burgeoning demand for live performances, the quartet went in and recorded the best 11 tracks they knew to get a long player together, all done in such a hurry that the members themselves couldn’t stay around long enough to be photographed for the cover (those are stand-ins). The result is surprisingly sophisticated in its use of stereo (then still relatively unusual in rock & roll, stereo LPs only debuted three years earlier and were largely confined to classical recordings), dividing the sound of the band quite neatly on two sides, thus giving LP purchasers a treat that owners of the single “Walk, Don’t Run” would miss — not only the sound separation that was so prized by audiophiles of the era, but crisp presentation of each instrument, dividing the two guitars very neatly. Thus, the casual listener could play with the speaker settings and balances, and the serious fans could get in close on the actual playing. The material is a mix of originals and hits drawn from every category, including earlier rock & roll instrumentals (“Raunchy”), R&B “Night Train,” and even film music (“My Own True Love [Tara’s Theme]”) — one can just make out the familiar Max Steiner Gone with the Wind motif on the latter, and it is a fairly inventive approach to an old musical chestnut, rebuilding it from the ground up. The material all has a lean jauntiness, most unexpectedly “Night Train,” which sounds closer in spirit to Chet Atkins than to Buddy Morrow or King Curtis. The originals were no filler, either, “The McCoy” being a hot piece of surf guitar showcasing all concerned.